What Should You NEVER Wear?

May 2nd, 2008

Back when I was a teenager and trying to figure out my own style, my mother took me by the hand and offered some guidelines on dressing. Spoken in a strong voice and accompanied by a wagging finger, I took her words, “Never wear (list to follow)” to be etched in stone.

Until I started modeling, that is.

Ever stood in front of someone you worked for and told them they didn’t know what they were talking about? I did. Once. When I was teenager. I was then told in no uncertain terms that as a high school senior, I did NOT, in fact, know it all. I learned that day that when you’re the fashion editor, you’re paid to render an opinion. When you’re the mannequin, you’re paid to stand there and be quiet. You can think whatever you want. But if you have a criticism, either couch it nicely or keep your mouth shut. The pay is much better that way.

Fortunately, that tense scene was actually a blessing in disguise. I discovered that you can learn a lot more with your mind open and your mouth closed than the other way around, and that those rules I thought were etched in stone were merely guidelines written in sand. They depend on the person, body type, and circumstance; not on some arbitrary set of rules. Thus, one woman’s “never” could be another woman’s “always.”

So remember that next time you hear:

Never Wear Horizontal Stripes”

Horizontal stripes visually widen whatever they’re against. So if you have wide areas on your body (large breasts, a thick waist, ample hips), putting a horizontal stripe there will only make it look wider. So don’t do it. NEVER wear horizontals - against the widest parts of your body.

But if you have narrow shoulders, tiny breasts, or no hips, adding horizontal lines can visually widen those areas, making them look larger and curvier. So DO wear horizontals if you want to enhance an area and get your clothes to make you look like you have a better figure than you do.

 

Horizontal strips adds curves to a boyish figure
Chadwicks.com
Horizontal Strips can add curves to a slender figure

Never Wear Large Prints”

Prints can be fun and flirty, but there are some dangers in wearing prints that are too big - or too small, for that matter. You have to start with your own body and consider the proportions:

  • If you’re small and wear large prints, they’ll over-power you and make you look smaller. So NEVER wear large prints if you’re small.

  • But if you’re large and wear a small print, it will dwarf the print details and make you look bigger. So NEVER wear small prints of you’re big.

Large prints make a small body look even smaller
LaRedoute.com
Large prints overwhelm
a small body

ALWAYS remember the rules of proportion and make sure your prints (and accessories) are properly scaled to your shape and size.

Never Mix Plaids And Prints”

Okay, this one’s tricky and not for the faint of heart. The key is in keeping with the same color or design.

  • If the colors are different, the design should be the same.

  • If the designs are different, the colors should be the same.

  • Vary the scale. If one print has large shapes, the second should be smaller. Make one subordinate so they’re not fighting it out to be the dominant pattern.

Plaids and prints in the same base color can work together
Macys.com
Prints and Plaids in the same color base

Men do this all the time with their shirts, suits, and ties, as do interior designers with their wallpapers and borders. Study different combinations, and then try a few of your own. As with everything in life, it gets easier with practice.

Never Wear Bulky Textures”

Like horizontal stripes, bulky textures tend to make whatever they’re against look bigger. Sequins, fur, cable knit sweaters-all add mass to the body. So if you’re big or have large features (like big breasts or hips) don’t wear bulky textures there.

But if you WANT to visually add a little bulk to a small chest or flat bottom, by all means, try some bulky textures. They’ll visually give you some curves.

Textures add bulk - be careful!
NeimanMarcus.com
Textures add bulk - be careful where you put them

Never Wear White from the Waist Down”

Just as dark, muted colors visually slenderize, light, bright colors tend to make you look bigger. Since many women with large hips and thighs want them to look smaller, not larger, they usually shy away from dressing from the waist down in white.

But there are some easy ways around this:

  • Dress in white from head to toe. Monochromatic ensembles make you look thinner and taller than tops and bottoms in different colors.

  • Use a vertical line to distract. Add a duster, a long scarf, or a long chain to focus attention up-and-down instead of from side-to-side.

All white makes you look leaner than a colored top with a white bottom
JessicaLondon.com
All white makes you look taller and trimmer than one color on top and white on the bottom

But what if you’re an average or small size or have a large top but small bottom? Then you have more leeway with light colors on your lower half. You can wear white from the waist down, either in a monochromatic ensemble or with a colored or print top. It’s cool and crisp in warm weather, and a small bottom encased in white will draw attention away from a large chest.

See how this works?

No rule is “one size fits all” - unless, perhaps, it’s “Never wear anything Britney Spears wears.” If you follow that one, you’ll be safe. But seriously, you’re an individual, and what works for a thousand others many not be right for you. So take that into consideration before you automatically dismiss items because of “rules” you learned long ago. Those rules may not apply to you. Be thoughtful and discerning as you dress. Your image will be the better for it.

 

Need more help in finding the right styles for your body, personality, and lifestyle? Download a copy of WARDROBE MAGIC to see how easy dressing well can be.

Wardrobe Magic

How to Choose the Right Handbag

April 10th, 2008

As I was leaving church on Easter Sunday, talking to friends and seeing everyone in their Easter best, I noticed three women in quick succession who had made unfortunate handbag choices. I say unfortunate because while each handbag was beautiful, each also magnified a figure challenge on the woman who wore it. It’s an all-too-common problem.

The first woman was dressed in a lilac sweater, lilac trousers, and lilac high-heeled sandals, which was all very spring-like. Her confection-like handbag was completely embellished with pastel silk flowers, and was the focal point of her ensemble. The problem? The woman is tall - probably 5′10″ or so - and her monochromatic ensemble and heels made her look even taller. Her handbag, unfortunately, was only about the size of a paperback book - too small for someone her size. The disproportion made her look bigger and her handbag look smaller - almost child-size, in fact. What could have been an eye-catching combination looked well, sort of weird instead.

Woman number two had a similar problem. She was sporting one of the miniature hobo-style bags. She had the short-handled bag looped over her shoulder à la Jennifer Aniston - but without Jennifer’s toned arms and torso.

Hobo bag
Overstock.com

In fact this gal, who is about fifty pounds overweight — and as a classic V-frame, carries most of the extra weight in her torso — managed to make her upper body look even larger with this tiny bag. It wouldn’t have been as noticeable if she had carried the bag in her hand, but putting it on her shoulder threw everything out of proportion. The round shape of the purse also echoed the curves of her upper body.

Finally, woman number three was sporting a long-strapped shoulder bag that put the bag hip-height. Not a big deal for most people, but this gal is a petite A-frame (pear shape) with a long torso, short legs, and a few extra pounds around her hips. This style of bag further exaggerated her shape.

Now I know most women don’t think about their body shapes when they go looking for a handbag. They think about things like acceptable style, appropriate color, and whether it will hold all their stuff. While these factors are certainly important, the evaluation shouldn’t stop there.

Here are some other things to think about when buying a handbag, shoulder bag, or clutch:

Size

The size of the bag should relate to the size of your body. If you’re large or tall, you need a larger bag. If you’re small or petite, you need a smaller bag. Otherwise, a small bag will make a large woman look bigger, just as a large bag will make a small woman look smaller.

Shape

The shape of a bag should be the OPPOSITE of your own shape so as not to further emphasize it. If you’re tall or thin, opt for a bag with curves; if you’re curvy, opt for a bag with straighter lines. Otherwise, the shape of the bag will emphasize and exaggerate your own shape.

Long bag Round bog
Overstock.com

Which shape is right for you?

Strap Length

Where the bag falls against your body can have a HUGE impact on how well the bag works on you. If you’re top-heavy, opt for straps that put the bag waist-height or slightly lower. If you carry extra weight in your hips, look for straps that put the bag waist-height or slightly higher. Otherwise, putting the bag against the bulkiest part of your body will only make you look heavier. If you can’t adjust the straps of your bag, ask your favorite shoe repair shop for help in adding or cutting material.

Shoulder bag with long strap
Overstock.com

Watch that strap length

Strap Width

If you tend to carry a lot of stuff in your bag, look for straps that are wide enough to carry the load comfortably. Narrow straps will dig into your hand or shoulder; wider straps won’t. If you have back problems, stay away from shoulder bags as they’ll only exacerbate the situation.

Finally, ALWAYS “try on” a bag standing in front of a full-length mirror. This may involve traveling a bit in some stores in search of a full-length mirror, but it’s VITAL in helping you make the right decision. You’ll be able to check the proportions and the shape and see where it hits on your body.

If it doesn’t work, don’t buy it - even if it’s the hottest bag of the season and EVERYONE is wearing it. Remember, not all styles work well on all bodies, so don’t waste your money on pieces that don’t make you look your best. If you can’t find the right style, remember that there’s always next season.

Whatever you do, DON’T ignore the basics of shape and proportion, as the women I saw apparently did. The only thing worse than wasting your money is looking bad because of it. So don’t. Put your handbag through the paces BEFORE you buy it - so you can look good whatever the occasion.

Need some other tips on buying the best handbag styles for you? Download a copy of ACCESSORY MAGIC to see how easily you can use accessories to define your style and stretch your budget.

http://www.accessorymagic.com

Accessory Magic

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Is Carla Bruni-Sarkozy the Next Princess Diana?

April 5th, 2008

Carlamania. That’s what the British press called it when Carla Bruni-Sarkozy dominated British headlines last week in her first official state visit as the First Lady of France. Accompanying her husband of less that two months, French President Nicolas Sarkozy, Carla managed to snag most of the attention with her grace and elegant Dior wardrobe.

The endless coverage of her clothes and flat shoes (so as not to tower above her husband) was reminiscent of the late Princess of Wales, just as taking the spotlight away from her husband called to mind Jackie O’s success in France in 1961. “I am the man who accompanied Jacqueline Kennedy to Paris,” John Kennedy said on that trip when the French basically ignored him in favor of his glamorous, French-speaking wife.   

Nicolas Sarkozy understands — even if he lacks President Kennedy’s self-deprecating style. “You have a curious idea of a couple,” Sarkozy snapped at a French reporter who asked him if he felt upstaged by his wife. But a week after the visit, no one in Britain remembers what the President talked about while he was there. However, they can probably tell you in rich detail about every outfit his wife wore during the visit.

Carla Bruni-Sarkozy arrives in Great Britain
Mrs. Sarkozy arrives in Britain
for her first state visit as First Lady of France
BBC News

Still, this trip was good for the President’s ratings. After divorcing his second wife last fall and taking up with Italian Carla Bruni, a former model and singer, last December, Sarkozy saw his approval ratings collapse. Both parties have scandal-ridden pasts, and putting them together did not win fans in France. Still, the French and British press can’t bring themselves to snub Carla because she’s beautiful, well-spoken, and well-dressed. It’s such a rare combination in international politics that the media will praise her sense of style even as they recount all of her past transgressions. The day she landed in London, newspapers were running a nude picture of her taken during her modeling days in 1993. The photo is set for auction in the U.S. a little later this spring.

But there’s no denying the First Lady made an impression. After “Carlamania” broke loose, British Prime Minister Gordon Brown asked Mrs. Sarkozy to spearhead an initiative aimed at injecting more style and glamour into British national life. The program will focus on fashion and cuisine — two things Brits aren’t especially known for — and bringing savoir-faire to the people of Britain. Mrs. Sarkozy will relocate to London for three months, beginning in June, according to a Brown aide, traveling back to France as necessary to participate in State events.

Carla Bruni-Sarkozy at a State dinner in London
Mrs. Sarkozy at the State Dinner
BBC News

Wow. The British calling on the French for help with style? Victoria Beckham and Naomi Campbell must be miffed. Perhaps Prince Andrew’s daughters, Princesses Beatrice and Eugenie, could take up the British fashion title held by their late aunt, Princess Diana. It’s a thought . . .

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Designer Label No-No’s

March 27th, 2008

When my father-in-law took delivery of his first brand-new car in the 1960’s, he and the car salesman got into a fight. It seems the dealer had affixed the metal dealership logo to the trunk (Jones Chevrolet, Knoxville - or whatever), and Weldon wanted it gone.

“But we always put our logo on all the cars we sell,” the dealer insisted. “So everyone will know where they can get a car like yours.”

Weldon thought about it for a moment and said, “I’ll give you two choices: you can either pay me $50 a month to lease that ad space on my trunk, or you can remove that logo from my car right now.”

The dealer removed the logo.

That story popped into my head recently as I watched a twenty-something strut through the mall in head-to-toe designer logos, acting like she was heaven’s gift to retail. In reality, she is - as are the millions of others who walk around with brand names and logos proudly emblazoned on their shirts, pants, bags, and sunglasses. After all, if design houses actually had to PAY for all that advertising - instead of the customers paying THEM — they’d probably go broke.

All in all, it’s a brilliant marketing ploy: establish yourself as a luxury brand, create a recognizable logo, and then slap it all over inexpensive stuff that the “average” person can afford. It got Pierre Cardin throw out of the Chambre Syndicale when he first did it back in 1959, but hey, being a pioneer has its challenges. As his peers soon realized, going downscale on basic items does wonders for the cash flow as the masses trip all over themselves to prove that for $39.95, they, too, can afford to “dress designer.”

Now yes, I’m being cynical. But having class and style isn’t about owning designer labels. It’s about knowing your body type and your clothing personality, understanding what’s appropriate for your lifestyle, and finding apparel and accessories that work with all of the above. I’ve seen women stop traffic in $40 worth of clothes from Wal-Mart while others disappear like wallflowers in thousands’ worth of designer apparel. It’s HOW you wear your clothes that makes the difference, not who made them or how much they cost. After all, you’re supposed to wear your clothes, not let them wear you.

With that in mind, here are some definite “No-no’s” when it comes to designer labels:

1. Don’t Wear the Name on the Outside

Generally, if the brand name, logo, or lettering is more than a ¼” high and is prominently featured on the outside of the garment or accessory, don’t wear it. With the exception of Louis Vuitton, those large, football jersey-type logos are generally among the least expensive items in a designer’s line and are neither stylish nor elegant. Avoid them.

Ralph Lauren Tote
Ralph Lauren Tote
Overstock.com

2. Don’t Buy It Just for the Label

Never buy something just because of the name on the tag. If you wouldn’t buy it if it DIDN’T have a designer label, don’t buy it just because it does. Be more discerning.

3. Don’t Dress Head-to-Toe in One Name

A Burberry scarf, coat, and bag. Chanel jewelry, dress, and shoes. You may love every piece, but don’t go overboard with the labels. It makes you look unschooled. Save your money and increase your style quotient by buying one item and making it the focal point of your ensemble.

4. Don’t Fall for the “Designer du Jour”

Every so often a talented new designer will emerge and “anyone who’s anyone” becomes an instant devotee. Whether the clothes suit them or not, many women flock to this new camp so they can follow the “in” designer. Don’t do that. Flip through fashion magazines and peruse style sites to determine which designers cater to YOUR philosophy, not the other way around. You can’t be a fashion leader if all you do is follow the crowd.

5. NEVER Buy Fakes

Ever have someone steal your ideas and present them as their own? Now you know how designers feel every time someone sells a fake or knockoff of their work. But that’s only half the story. If you follow the money trail of that counterfeit merchandise, you’ll find an ugly tale of international slave labor, pirating, mob connections, and more. Don’t contribute to it. Only buy your merchandise from reputable dealers so you can sleep as well as you dress.

The blight of the fashion industry in New York City
Illegal street vendor
in Lower Manhattan

Wearing luxury brands has long been a privilege of the rich and famous. But with all the choices available to you today, you don’t have to have a lot of money to dress well or even to wear designer labels. You just need to know what looks good on you and what’s appropriate for your lifestyle. If you can resist the urge to become a billboard for your favorite brands and simply adhere to the basic tenets of dressing well, you can look rich and elegant regardless of your budget. Try it yourself and see.

 

Need more help in finding the right styles for your body, personality, and lifestyle? Download a copy of WARDROBE MAGIC to see how easy dressing well can be.

Wardrobe Magic

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Colored Trenches and Print Dresses Popular For Spring

March 20th, 2008

The fashion industry is feeling the sting of the nervous economy, but there are at least two selling bright spots:  colored trenches and print dresses.  According to WWD.com, these spring favorites are flying out of stores, as are separates and accessories.

It makes sense.

Not only does a little color add a splash to any wardrobe, a few separates and accessories can add versatility to exisiting wardrobes and make old pieces look new and different.

If you’re looking for ways to stretch your clothing budget this season, re-visit your closet with a copy of Wardrobe Magic in hand to discover how you can make a little do a lot.

Good luck!

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Popularity: 5% [?]

The Spring 2008 Review

March 13th, 2008

It’s that time of year again: time to put away the coats, boots, and heavy fabrics of winter and pull out your warm weather clothes.

Whether you’ll be working, traveling, or enjoying a little “fun in the sun” (or all of the above) this spring and summer, there are some really cute looks out there for you. From feminine frills and wild colors to vintage styles and up-to-date classics, there’s a little something for everyone.

Just keep a few basic guidelines in mind:

    1. Shop with a list; know what you have and what you need so you can stay in budget.

    2. You will not look good in everything you see (nobody does). Stick with the styles and silhouettes that flatter you most and don’t be swayed by looks that don’t work for you.

    3. Some colors will NOT work with your skin tone, regardless of what the sales girl on commission tells you. If you look pasty under those dingy dressing room lights, you’ll look pasty everywhere else.

    4. Add one trendy, inexpensive accessory (like a handbag or shoes) that will make you feel cute and chic all season.

    5. Invest in classics; go cheap on trends.

With these guidelines in mind, here are some of the most eye-catching, figure-friendly looks of the season:

Feminine Ruffles and Lace 

If you like to get in touch with your girlie side every now and again, you’re definitely in luck this season. From ruffles and lace to ribbons and bows, you’ll find plenty to choose from this season. Just keep in mind that some of these embellishments can make what they’re put against seem bigger, so keep them away from your trouble spots, like hips, tummy, or thighs. Otherwise, enjoy!

 

 

Feminine styles
JessicaLondon.com

 

 

Feminine ruffles
Macys.com

Flirty Sundresses 

Reach for fun, flirty sundresses for all of your after-hours fun. They keep you cooler than shorts and are dressy enough to take you to restaurants and museums. But don’t wear them to work unless you top them with a jacket or light sweater; business situations call for more coverage, so DON’T “dare to go bare” at work (or church, for that matter). These places call for more coverage and formality.

 

 

Flirty Sundress
Chadwicks.com

 

Flirty Sundress
LewMagram.com

 

 

Cropped, Three Quarter Sleeve Jacket 

No, it’s not your imagination - you’ve seen this look before. The cropped, three quarter sleeve jacket was “all the rage” in the 1960’s, and it’s making a comeback for both spring and fall. Pair them with slim skirts, pants, or cropped pants for a chic, easy look. But be careful: because of the short proportion, this style is not very friendly to those who are petite, have a short waist, or who carry extra weight at the waistline or tummy. Proceed with caution.

 

 

Cropped jacket
Roamans.com

 

 

Cropped Jacket
Chadwicks.com

Wide Leg Trousers 

Wide leg trousers continue to be popular, including those with exaggerated or palazzo-style hems. While wide leg pants can lengthen and slenderize heavy thighs and legs, they can also overwhelm very thin legs, so be careful. Avoid styles with cuffs if you’re petite.

 

Wide leg trousers
Chadwicks.com

Wide Leg Trouser
Macys.com

Classic Favorites 

Like sheaths? Pencil skirts? Shirtdresses? Trench coats? You’re in luck! You’ll find all those classic silhouettes in abundance this year, so be sure to stock up on the styles that flatter you most. The great thing about classics is that you can wear them for years, and they can serve as a simple background for eye-catching shoes, necklaces, or bags.

 

 
Classic trench
LaRedoute.com

 

 
Classic sheath
JessicaLondon.com

Animal Prints 

What’s the continuing fascination with animal prints? They’ve been popular the last several years, and continue to roar this season. If you want to add a little “animal magnetism” to your apparel or accessories, just be sure to do so in small doses. This is one print where it’s easy to get too much of a good thing.

 

Animal Prints
Roamans.com

Animal prints
Macys.com

Metallics 

Like crows captivated by shiny objects, the fashion industry continues to favor metallics of all sorts. From coats and blouses to belts and bags, you can shine like a million this summer. Just be sure to stick with the colors that look best on you so all those metals don’t wash you out.

 

Metallic tank
LewMagram.com

 

Metallic jacket
Macys.com

Bright Colors 

Just as nature puts on a bright, colorful show each spring with its flowers, grasses, and trees, so too will you find a lot of bright colors in stores this season. Hot pink, lemon yellow, turquoise blue, lime green - it’ll be easy to stand out in a crowd! Just be sure to pick the best colors for your skin tone. Particularly popular this year: matching shoes to clothing color for head-to-toe brightness. It’s a cute look, but it can visually “chop up” smaller bodies and be hard on the budget. To get longer-looking legs and save money and closet space, you might want to opt for flesh-colored shoes instead.

 

 

Bright suit with matching shoes
Roamans.com

 

 

Bright sheath with flesh-colored shoes
JessicaLondon.com

Artistic Sleeves 

Puffed, petal, bishop, kimono - designers have fallen in love with interesting, artistic sleeves again. Whether you want to cover up, show off, or play “peek-a-boo” with your arms, there’s a sleeve out there for you. Just make sure it flatters and fits. Stay away from puffed sleeves if you have broad shoulders, heavy upper arms, or a large chest, for example, and avoid raglan and saddle-shoulder styles if your arms are very long and thin. Your goal is to visually minimize your trouble spots, not call attention to them.

 

 

Puffed sleeves
LaRedoute.com

 

Angel sleeve
Roamans.com

Statement Necklaces 

Want a simple way to draw attention to your face and update your wardrobe without spending a lot on clothes? Try a few big statement necklaces. Flowers, animal shapes, shiny beads, bright metals — pick whatever you like. Just don’t overdo it (like Nicole Kidman at the Oscars™); scale pieces to your size and proportion for an up-to-moment yet easy look.

Statement necklace
JessicaLondon.com

 

Statement necklace
SmartBarg ains.com

These are my top picks for the season. Add a handful of pieces that compliment your body shape and lifestyle and you’ll look youthful and current regardless of your age, shape, size, or budget.

Need more help in conquering your closet so you can finally build a wardrobe that works? Download a copy of WARDROBE MAGIC to see how easy looking pulled together can be.

Wardrobe Magic

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Fashion Designer Elizabeth Emanuel Goes Mass Market

March 6th, 2008

It all started when Isaac Mizrahi designed a line of affordable designer clothes for Target.  It sold so well that he was quickly joined by Todd Oldham (furniture), Liz Lange (maternity), and Sonia Kashuk (makeup).  Now, British Discount Retail BHS (British Home Store) has done the same by adding one of England’s most popular designers to their collection:  Elizabeth Emanuel.

If that name sounds familiar, it should:  she and ex-husband David Emanuel designed the wedding gown that Lady Diana Spencer wore for her wedding to Prince Charles in 1981.  While Elizabeth and David split in the late 80’s, Elizabeth continues to design frothy wedding gowns for the European elite.  You can see those fairy tale-like confections at her website.

But if your budget runs more to commoner than princess, check out her “Art of Elegance” line at BHS.  Nothing costs more than £495 (around US $990), and the gowns are lovely.  Designer gown on a budget?  Awesome!

 

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Popularity: 6% [?]

How to Manage Your Image “Old Hollywood” Style

February 28th, 2008

Back in the “Golden Age” of Hollywood, movie stars were glamorous. They looked good in every film, at every premiere, and at every awards show and their loyal fans lined up to see their movies and buy magazines in which they appeared. Whenever a camera was trained on them, they looked like they moved in a rarified circle, beyond the reach of moral men. Sure, they had their problems, but the bad stuff was usually kept off the front page and well out of sight. Only the shine showed through.

Fast forward to today. The glamour has been replaced by scandal and sensation, and we’re more likely to see a mug shot or a crash site photo than shots of gifted performers enjoying the jet set life. Movie star style has been replaced by stylists and designer product placement, and many celebrities are better known for their off-screen antics than their on-screen roles.

So what changed?

The decline of the studio system and the rise of multi media.

In the 1930’s and 40’s, Hollywood studios controlled everything in film production, from finding and cultivating talent to distributing movies in the theaters. Like giant factories, each studio would crank out thirty to sixty movies a year and maintain a stable of actors, writers, directors, and behind-the-scenes people to plug into those projects as needed. Lead actors might work on three or four movies a year; minor, supporting actors might work on ten or fifteen. Most movies were shot on the studio lots on a tight budget and short time frame, and only the most bankable actors or directors could pick and choose their projects. Usually, movies were assigned. If a talent didn’t like a film, that was too bad; if he wined or complained, he could be cut from projects, loaned to other studios, or even dropped from contract. It was a bottom-line, formulaic business, and creativity - while important - always came second. All that control was the bad part about studios.

The good part was that they truly cultivated their people. They took raw talent and turned it into box office gold through training and careful grooming. Actors and actresses were taught how to dress, walk, talk, and behave like movie stars. Some got new hair and new makeup; others got new names and new noses. This training was so complete, in fact, that when the “Best Dressed” lists first appeared in the early 40’s to stimulate the war-trodden fashion industry, movie stars were kept off the list because they had the unfair advantage of being dressed by their studios. Studios also managed to keep a lot of bad behavior out of the headlines because it was bad for business and chipped away at the Hollywood mystique.

That history came to mind as I watched the Oscar™ Red Carpet pre-show the other night. As one actress strolled down the red carpet in haute couture, chomping on a wad of chewing gum while cameras flashed away, another bragged to an interviewer that she would never get out of her jeans if it weren’t for the amazing work of {insert popular stylist name here}.

Wow.

They can command millions for their work but they can’t dress themselves properly or chew with their mouths closed? Hmm. Kind of makes you wonder just what warrants those big paychecks. It also makes me want to wait until their films hit cable instead of paying full price at the theater. There’s no mystery with these people. They’re just the “average Joe.”

That’s what set the “Old Hollywood” crowd apart. Those stars didn’t seem average. They seemed beyond reach. They were like the cool kids in school, moving in an elite circle that others wanted to be part of but just couldn’t quite manage to swing. Even today, fifty, sixty, seventy years later, you can watch a movie from that era and have that sense of wonder and awe. What would it be like to hang out with Katherine Hepburn, Carole Lombard, Humphrey Bogart, or Clark Gable? What could you learn from Bette Davis or Joan Crawford? What beauty tips could you glean from Veronica Lake or Marilyn Monroe?

Yes, there are celebrities today that people clamor to see. But will their popularity survive the test of time? It’s hard to say. The biggest blockbusters these days seem to be heavy on the special effects and light on the talent and storylines. Will the “A-Listers” of today even be remembered fifty years from now?

Will you?

If you’re busy following the crowd, trying to fit in or “keep up with the Joneses”, you probably won’t be. Sorry, but if life is like a casting call and you’re just like everyone else, how can you expect to stand out? The only way you can realistically shoot for a larger part/a better title/a bigger paycheck is if you bring “something extra” to the table that no one else does.

For some, it’s better skills or a unique skill that no one else has. For others, it’s a better wardrobe or manners that make the difference. For “A-Listers,” it’s a combination of both: good skills and proper packaging. Such finesse will set you apart from your peers today, and make you the standard bearer in your field for years to come.

Here’s how to strive for it:

1. Take a good, honest look at your current skills. What’s good? What’s not so good? What could use some work? If your skills are good, then strive to add a unique but related skill to set yourself apart. If a “triple threat” in Hollywood is someone who can act, dance, and sing, what’s a “triple threat” in your industry? Someone who can research, write, and speak? Create, market, and administer? Play, perform, and coach? Think about it and expand your skills.

2. Take a good, honest look at how you dress. Is your wardrobe appropriate for your position and industry? Do you know what to wear at different levels in your career? Do you know how to dress appropriately for different occasions? If not, then it’s time to find out.

3. Take a good, honest look at your manners. Could you dine at a fine restaurant or a backyard barbecue with equal ease? Do you know how to say “thank you” or receive praise with equal grace? Could you pass through a diplomatic receiving line without feeling like a fraud? If not, read books or take classes on etiquette. Nice manners are in short supply these days but still appropriate for every occasion.

4. In almost every industry, those who excel get pushed into the spotlight to speak, write, and teach others. Could you do so with confidence, knowing your skills and appearance are “up to snuff”? Or would you “freak out” and say NO to an invitation because you couldn’t stand the scrutiny? Plan for success by getting your writing and presenting skills in order now.

5. Finally, manage your public image with care. Respect your own privacy by setting boundaries of what you share with others. If you don’t want something repeated, don’t say it in the first place. If you don’t want racy photos published, don’t pose for them to begin with. If you have indiscretions in your past that you don’t want revealed, keep them hidden as best you can - and then come up with a good story to tell should they ever come to light. The Internet has enabled secrets and scandals to be flashed around the world in an instant, and those who seek to curtail your success will use your comments, bad photos, and secrets to “keep you in your place.” Don’t let them. Think before you speak, drink in moderation or not at all when in a group, and never behave like a spoiled teenager. Show class; don’t be crass.

Just reading through this list, you can see why “Old Hollywood” style seems in such short supply these days. Yes, it takes time and effort to groom yourself for a lead role in your industry or community. But you’ve probably already worked hard to get where you’re at; why not go that extra step and enjoy all the rewards that go along with it? You may be delighted by the new company you’ll keep.

Good luck!

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Celebrity Fashion: Just How Appealing are those Starlets?

February 21st, 2008

Ever wonder how some celebrities manage to garner lucrative beauty and fashion endorsements in addition to their movie and television roles?  A large part of it has to do with how well they present themselves on the red carpet and in interviews, but another key factor is how appealing they are to the masses.  Are they likeable?  Is it bankable?

See just how this year’s Best Actress and Best Supporting Actress Oscar® nominees stack up in “Oscar’s Favorites” from WWD.com.

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Sex, Dress, and Power in 2008

February 16th, 2008

Does what you wear have an impact on how you’re perceived as a leader? That’s the question that’s been burning up the fashion blogosphere the last few weeks, ever since Hillary Clinton declined to appear on the cover of VOGUE magazine and Editor Anna Wintour took umbrage. The story makes an interesting case study regardless of your politics, because it reinforces the importance of knowing how to dress appropriately for your industry and position. If you work in a male-dominated field, I encourage you to take notes.Here’s the story:

Senator Clinton was invited and agreed to appear on the February cover of VOGUE. The day she was supposed to be photographed and interviewed, she bowed out, saying that on second thought, she had decided that being on the magazine would make her seem “too feminine” in her race for the presidency.Annoyed, Ms. Wintour responded at length in the February issue of the magazine, saying, among other things, “The notion that a contemporary woman must look mannish in order to be taken seriously as a seeker of power is frankly dismaying. How has our country come to this? This is America, not Saudi Arabia.”

So who’s right and who’s wrong: Clinton or Wintour?They both are.

Right and wrong, that is.The reasons are subtle and not politically correct, but let me take a stab at it:

On the one hand, you have a woman who has made it to the top of a female-dominated industry. Fashion magazines have been published regularly since “Godey’s Lady’s Book” appeared in 1830, and women have been writing for them almost as long - one of the few industries where women were welcomed early on. Not only does Anna Wintour wear whatever she wants to work, she influences what millions of OTHER women wear to work through her magazine’s layouts, articles, and ads. Of course she can’t understand why a woman can’t be both feminine and powerful; she’s been feminine and powerful her entire career.On the other hand, you have a woman who has made it to the top of a male-dominated industry. Hillary Clinton started practicing law in the early 1970’s when women were few and unwelcomed in the courtroom. She’s had things said and done to her that would have sent other women screaming in the other direction, and she has the battle scars to prove it. Now, as the first woman to run for president, she’s again treading into unfriendly territory. She dresses plainly and conservatively because she learned long ago that being feminine in a male industry is a liability instead of an asset.

Not fair, you say?Life rarely is. But if you look at the underlying psychology, you’ll begin to see why things have evolved the way they have. Western women are not required to don the traditional abaya worn by their Islamic sisters, as Ms. Wintour suggests, but they do need to understand a few things about how to dress when working with men.

Let’s break this down to basics:In the animal world, all the species have lived or died based on their ability to reproduce. When fish, animals, and insects look for mates, they seek the strongest, healthiest, most powerful specimens in order to accomplish this goal.

It’s the same in the human world. Our language, manners, and culture may set us apart from the animals, but our basic, most primal urge is still the same: to attract the strongest, healthiest, most powerful mates in order to reproduce. Even if we’re not conscious of this, even if we have no plans to reproduce, from exercising to exfoliating, women and men still regularly engage in behaviors to attract mates.So what does this have to do with Senator Clinton and VOGUE?

Keep reading. It will make sense in a minute.In her book “Survival of the Prettiest” (1999), Dr. Nancy Etcoff, a psychologist at Harvard Medical School, reports that while we’re told as children that “beauty is only skin deep” or “in the eye of the beholder,” the reality is that attractive people have long be rewarded for their beauty throughout history in nearly every culture in the world.

Pretty girls have more friends as children, are sought after by more men as adults, and are hired more quickly and paid higher wages than their less attractive counterparts. Women learned long ago that beauty is a commodity, which is why we have evidence of lipstick dating from 5,000 B.C., why Cleopatra bathed in milk and honey for luminous skin, and why we spend more money on beauty products today in the United States than on education and social services combined. Beautiful models and actresses are among the highest paid women in the world.For women throughout history and around the world, beauty equals power.

But for men, physical prowess and ample resources equal power.Just as male lions, gorillas, and deer viciously fight each other for the right to claim females and territory, so do men battle each other for the right to claim women and property. Sometimes it’s been just that base, as in war, but more often it’s played out elaborately over time by growing strong, gaining knowledge, and accumulating wealth.

To this end, as in the animal kingdom, men create an ongoing, unspoken dominance hierarchy in order to establish who’s the “alpha male” in any given situation.Dr. Etcoff describes it this way:

    Males form ranks quickly, even as boys. In boys’ camps, rank order develops in cabins within an hour. The top-ranked boy isn’t necessarily the biggest, but often the best-looking, most athletic boy who shows the most mature physique. The top boy initiates and organizes, and lower-ranking boys obey and question. Their submission is rewarded by the dominant boy’s protection and his leadership. (1)

The medieval feudal system is a formal example of this hierarchy, as are the various ranks in military, government, churches, and corporations.

But it’s not always so formal. Watch any group of men together and you’ll see this dynamic in action, even if they’re all completely unaware of it. Ever wonder why young men always seem so hot-tempered and quick to come to blows when they disagree? They’re trying to establish dominance. Ever wonder why guys like to watch football, boxing, or movies with gory battle scenes? Because they like seeing OTHER strong males establish dominance.Guys learn early how to demoralize their opponents and how to find and exploit each other’s weaknesses to gain the upper hand. Even when they’re just joking around with their friends, men say things to each other in this ranking ritual that would end a similar friendship between women.

Now take a bunch of these strong, dominant males who are used to battling each other for resources, and drop an attractive, feminine woman into the mix who seeks the same resources. What do you get?Well, once they stop laughing, as they did at the beginning of the women’s movement, their first impulse might be to either sleep with her or push her into a low-ranking position out of their way. If she resists, then they’ll treat her like any other challenging male: they’ll “tap swords” to get an idea of her strength before they start looking for weaknesses and testing her endurance. Often, they’ll set aside the nice manners they use to court women and revert to the rougher “locker room” language and behavior they use among themselves. So what if she’s offended? It means she’s weak and doesn’t belong.

Now obviously, this doesn’t describe every man on the planet. There are lots of nice guys out there all along the alpha-omega scale. Kind, funny, helpful, and respectful, they barely resemble the dominant males I just described.But those dominant alphas are out there, mark my word. They tend to congregate en masse in high power, high income, male-dominated industries like law, medicine, politics, and professional sports, and in departments where big egos and big paychecks go hand-in-in. They may treat their sweethearts like princesses, lavishing them with pretty baubles, then turn right around and steamroll any woman that gets in their way, including competitors and support staff. If you plan to do battle with them, you must go prepared.

So dress femininely to attract men, but gender-neutrally to do business with them? That hardly seems fair!It isn’t. But in many male-dominated, highly competitive industries, it’s the reality.

Yes, I know it defies logic - kind of like the ongoing fascination with Britney Spears - but research shows it’s the most effective way to go about it. Women have a lot more latitude now that we did thirty years ago, and certainly much more freedom than many women around the world, but I think it’s going to be a while longer before we can dress in feminine frills and still be perceived as a strong leader of men.See how subtle and “un-p.c.” this is?

So to return to the original question: does what you wear have an impact on how you’re perceived as a leader?Absolutely!

If you’re in a women-dominated industry (fashion, beauty, interior design, the arts) dressing fashionably and femininely can have a positive impact on your bottom line. If you’re lauded for your beauty or sense of style and grace, then you’re a woman to be envied and emulated.But in male-dominated industries (finance, science, electronics, oil), where strength and power are desired, being fashionable and feminine is seen as a weakness. You need clothes that are strong and crisp and that draw attention to your business savvy rather than your feminine curves. You want men to listen to your ideas, not check out your cleavage.

So yes, Anna Wintour is correct in saying that women can dress femininely and still be taken seriously - but only in certain fields. Spending too much time on how you look can hurt your credibility in many industries.And yes, Senator Clinton is correct in saying that appearing on a fashion magazine may make her seem “too feminine” in her quest for the presidency. At the same time, UNDER-estimating the importance of wardrobe can also hurt your credibility. While her clothes are usually conservative and modestly cut, which is appropriate for politics, she sometimes wears colors, patterns, and styles that don’t flatter, fit, or command attention. Her selections seem haphazard. She has no signature look. She may be seeking the highest office in the land, but you wouldn’t know it by how she dresses.By contrast, Secretary of State Condoleezza Rice “gets” power dressing. Tailored, flattering cuts in rich fabrics and strong colors, you know at a glance that she’s a powerful, wealthy woman by how she dresses. Speaker of the House Nancy Pelosi has also does a very good job of sporting flattering styles in luxe fabrics. Her color choices sometimes stray off the power path - like the lilac-colored suit she wore for the last State of the Union Address, for example - but by and large, she also dresses like a powerful woman in a male-dominated industry.So yes, what you wear has a HUGE impact on how you’re perceived as a leader. So make sure your clothes say that you’re ready, willing, and able to do the job, and nothing’s going to stand in your way.

Need some more advice on what’s appropriate for your industry? Download a copy of BUSINESS WEAR MAGIC:

http://www.businesswearmagic.com

To learn how to “dress for success” in your field.

Business Wear Magic

(1) “Survival of the Prettiest” by Nancy Etcoff, Anchor Books (1999), pages 74-75.

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